wa
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盖伊·马丁
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《世界上最悲伤的音乐》一出魔幻的、黑色的、反讽的梦境,故意模糊的颗粒状的黑白镜头,人物身后的光芒丛生,都宛如是现实与虚幻交错与臆造的产物。男爵夫人海伦若干年前被误锯双腿,从此她的心里只有恨没有爱,她有一家啤酒馆,为了在大萧条中赢得生意,她举办了场“世界上最悲伤的音乐”的比赛,吸引了世界各地的音乐家,啤酒自然源源不断地被卖出;以前的恋人切斯特*肯特携女友娜西莎代表美国来参加;其兄罗德里克*肯特非常仰慕一战的导火线发起者---刺杀大公的凶手,因此加入塞尔维亚也来了,他拥有被称为世上最忧郁的大提琴声音,自从儿子死去妻子失踪,他就一直身携其子心脏到处漂泊,沉浸在不可救药的悲伤之中;他们的父亲老肯特就是当年误锯海伦双腿的人,为了弥补过错,他花了多年心思制作了一双晶莹剔透的玻璃腿,并在此过程中,他不可抑制地爱上了海伦。这些人在音乐会上通通不期而遇,演绎了一场...
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Robert Conway
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In pursuit of a gang of violent but charismatic criminals, Officer Charlotte Briggs finds herself caught in twisted game of life and death where the rules are always changing, and the House always wins. An abandoned missile facility deep in the Arizona desert becomes a labyrinthian house of horrors as Officer Briggs pursues a dangerous gang of bank robbers led by the vicious bu...
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Edgar Nito
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传说很久以前,大自然在湖边和谐共生,直到邪恶降临。被黑暗欲望蒙蔽的人带来了恐惧、仇恨和死亡。渔民们称之为La Miringua,就是因为你的罪恶而把你拖到湖里的那个。
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Jason Wan Lim
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科里·古德声称自己曾在一个秘密太空计划中服役长达20年,这一说法让他瞬间成为UFO界的偶像,但随后也让他深陷舆论漩涡。本纪录片追踪了他的崛起之路,并探讨了在“全民揭秘”时代,个人记忆、现代神话与大众媒体之间那种光怪陆离的交集。
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赛里尔·鲍斯,菲利普·斯腾纳特
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Burgundian warrior Hagen of Tronje holds the crisis-ridden kingdom together through his dedication and unyielding harshness. In doing so, he suppresses his adoration of the king’s daughter Kriemhild and represses his own dark past. When the legendary dragon-slayer Siegfried of Xanten appears in Worms and recklessly threatens the established order, Hagen becomes more and more of...
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艾什莉·麦肯齐
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Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry. Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.






























